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This is yet another track that doesn't have anything exciting about it to make you play it on for the second time around. An average sounding track, ' I Got That Poison' is sung by Shweta Pandit who also writes this Hinglish song along with Shraddha Pandit. There is a Middle East flavour to ' I Got That Poison' which is again about a 'naagin' and her different traits.
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Even though as many as three individuals come together to compose this track - Julian Lennon, Mark Sipro, Peter Vitesse - the results belong to 'skip even before you are through with one complete hear' variety. Moreover, the effort falls flat with Mallika's moans and cries turning out to be more depressing yet funny rather than haunting. The fact though is that first and foremost there is no hardcore singing involved here. Remember ' Mera Tan Dole Mera Mann Dole' from Naagin ? The same lyrics are heard all over again in ' Sway (Mann Dole) ' which has the much hyped singing debut of Mallika Sherawat. Though one doesn't quite see how the song would indeed fit into the narrative of the film, it does sound decent as a standalone track. Written and sung by Shruti Haasan who collaborates with composers David Kushner and Franky Perez, ' Beyond The Snake' is yet another theme track in the album which is about the waiting period before the lovers unite. Next to arrive is an English track that has a rock setting to it. It is surprising that the song was not promoted at all since it did have the potential to fetch eyeballs for the film. The longest song in the album, it also features in another version by Sunishi Chauhan. Right from the time the sound of 'been' comes to the vocals of Shreya Ghoshal which do convey pain of separation to an overall chorus effect, there is an old world feel to ' Lagi Lagi Milan Dhun Lagi' which goes all the way back to the 80s/90s. This is what one gets at the very beginning of the album with Anu Malik actually doing a rather good job by coming up with ' Lagi Lagi Milan Dhun Lagi' which is in fact reasonably well tuned. When a film is about an 'icchadhaari nagin', you do expect a 'been' song to be played. There is a surprise in store though when it turns out that there are as close to half a dozen unique tracks in the album which has different composers and lyricists contributing with a song apiece. One would have been led to believe that this was perhaps because there were only 2-3 tracks in the album. However, what can one really expect from the soundtrack of Hisss when the songs haven't been promoted at all. Hemant Kumar & Chorus: O Zindagi Ke Denewaleġ1.Expectations are built for a product if it is visible. Lata Mangeshkar: Mera Badli Men Chhup Gaya Chandġ0. Lata Mangeshkar & Hemant Kumar: Ari Chhod De Patangĩ. Lata Mangeshkar: Mera Dil Yeh Pukare AajaĨ. Hemant Kumar, Asha Bhosle & Chorus: Yaad Rakha Pyar Ki Nishaniĥ. Ravi & Kalyanji: Been Music/Lata Mangeshkar: Man Dole Mera Tan Doleģ. Trippy, haunting, and gliding seamlessly into the lovely 'Man Dole Mera Tan Dole' it's a stunning double-bill.ġ. The biggest highlight though is the snake charmer track 'Been Music', featuring a young Kalyanji on Clavioline (the very first use of a synth in a Hindi movie) and with a melody apparently composed not by Kumar but by Ravi (another acclaimed music director I've yet to post anything by - but I will). 'Sun Ri Sakhi', 'Mera Dil Yeh Pukare Aaja', 'Oonchi Oonchi Duniya Ki Diwaren'. As with 'Detective' (below), 'Nagin' is packed with wonderful, exotic sounding songs, most of them performed by Lata Mangeshkar. More vintage excellence and another favourite amongst aficionados, scored (mainly) by Hemant Kumar, famous both as a singer and as a composer.